Against the stage. Francisco López
I find myself very often struggling with show organizers and technicians about going through all the complications brought forth by my persistent refusal to ‘play on stage’. This can happen in any kind of space, from obscure clubs to concert halls; across the whole range of ‘scenes’ and communities, from classical/contemporary music to rock/techno environments, or even ‘experimental’ events. Worldwide. The stage is everywhere. It is inextricably attached to the performance of live music.
Lopezengl.pdf
—
PDF document,
100Kb
