Harun Farocki/Image (circum)volution: On the Installation Schnittstelle (Interface). Christa Blümlinger
How does a filmmaker arrive at the artform of the museum installation? Farocki finds himself in a small, albeit eminent group of like-minded filmmakers. In their installations, Chris Marker, Chantal Akerman, Raúl Ruiz or Peter Greenaway, whose films negotiate the relationship between word and image in equally radical fashion, conduct similar investigations into their own or each other’s images, scenically bringing to account the metamorphoses of cinema through more recent audiovisual apparatus.
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